order
. 01
Make a recognition visual and tactile one of your hands, then find a comfortable position, resting on the table and watching intermittently Act it through a line drawing and sensitive spot with graphite pencils.
. Notes
02 eyes, mouths, noses and ears of at least four others, representing each part of face as closely as possible, through a line drawing and sensitive spot with graphite pencils.
. 03
Look at the face in front of a partner and represent it in the light ratios and proportions between the parties, through a line drawing and sensitive spot, with pencils graphite.
. 04
Look at the face of a partner profile and represent it in the light ratios and proportions between the parties, through a line drawing and sensitive spot with graphite pencils.
. Notes
05 full figure of a standing partner, and perform taking into account relations and proportions between the parties, and the concepts of form and fee, through a line drawing and spot and sensitive, with graphite pencils.
. Notes
06 full figure of a seated companion, and perform taking into account relations and proportions between the parties, and the concepts of form and fee, through a line drawing and sensitive spot with graphite.
. 07
Watch a group of at least four others located in different positions, and represent it in the light ratios and proportions between the parties, and the concepts of form and fee, through a line drawing and sensitive spot with graphite.
. 08
represent the frontal perspective of the interior of a room, including at least three pieces of furniture and a human figure, taking into account the concepts of skyline and main point by a line drawing and sensitive spot, graphite color.
. 09
represent the perspective of the interior angle of a room, including at least three pieces of furniture and human figure, taking into account the concepts of horizon and points away, using a line drawing and sensitive spot, graphite color.
. 10
Make a list of at least ten items from serving on the front of a house, then select those that interest you most, and is the front perspective of an ideal home abroad, having regard to the concept of horizon and main point by a line drawing and sensitive spot, graphite color.
. 11
Taking into account the list made in the previous exercise, select the items that interest you most, and represents the angular perspective of the outside of a dream house, taking into account the concept of horizon and points away, using a line drawing and sensitive spot, graphite color.
. 12
Make a scale of values, from white to black, gray achieved by mixing eight different tempera and brushes.
. 13
Perform three compositions of value, first in high key, using the white and lighter gray, the second in key media, applying the intermediate gray, and the third low-key, using the black and dark gray, with tempera paint and brushes.
. Make
14 color scales, from a primary color to get to another primary color and get the secondary colors and color intermediate, as the three possible combinations, from yellow to red, yellow for the orange, orange, red and orange, from yellow to blue, yellow for the green, green, blue and green, and red blue for the red violet, violet, blue and violet, with tempera and brushes.
. 15
Select one of three color scales made in the previous year, and establish a list of at least ten elements of nature, culture, feelings, and emotions that evoke your criteria colors selected scale , then represent the landscape or scene you are most interested in the list, painting with watercolors for and brushes.
. Make
16 scales based on a sub to get to another side, and get the tertiary color gray broken or concerned in the three possible combinations, from orange to green to get the land ocher orange to purple to obtain red earth, green and violet blue to get the oil.
. 17
Making a tertiary composition as the natural landscape, urban, or psychological that they will evoke, for painting with tempera paint and brushes.
. 18 Make a picture
figurative or abstract painting with a color used in its pure form or mixed with white, with black or gray, with tempera and brushes.
. 19 Make a picture
figurative or abstract painting with colors similar or like having a common color, with tempera and brushes.
. 20 Make a picture
figurative or abstract painting with a pair of complementary colors, bearing in mind that the complement of a primary color, the secondary is formed by the two remaining primary, with tempera paint and brushes.
. 21 Make a picture
figurative or abstract painting with the three primary colors, or all three secondary colors, with tempera and brushes.
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