Wednesday, September 28, 2005

Monica Roccaforte, Clip

EGB EGB order Polimodal

. 01
Select a photo of your face and the faces of some personality, character, friend or relative. Act it out from the observation and study of ratios and proportions, with as much detail as possible, taking into account the concept of mimesis and analysis of form, and the concept of line and sensitive spot, drawing with color pencils.
. 02
Select a photograph of the face of a celebrity, which highlights a positive or negative expression. Look at the picture and makes a statement about what might be happening inside presumably the character in the time of the photo having been removed. Compenétrate of the short story, a portrait and then distort the reality, so you can better express the inner feeling of the character, taking into account the concept of stylized forms, and the concept of line and sensitive spot, drawing with color pencils.
. Select
03 different objects of everyday life and put together a composition. Act it out afterwards from the observation and study of ratios and proportions, with as much detail as possible, taking into account the concept of mimesis and analysis of form, and the concept of line and sensitive spot, drawing with color pencils .
. Select
04 different objects of everyday life and put together a composition. Act it out afterwards considering the basic constituent of all forms, ie the geometrical elements from which the selected objects are built to assemble the composition, taking into account the concept of geometric shapes with colored pencils.
. 05
Select the photo of a landscape, observe carefully conducting a study of ratios and proportions, and represent it with as much detail as possible, taking into account the concept of mimesis and analysis of form, and the concept of line and sensitive spot, drawing with color pencils.
. 06
Select the photo of a landscape, and represent, as much detail, taking into account the concept of synthesis of form with color pencils.
. 07
remember a dream I've had, and tell them in no more than twenty-five lines, stopping in detail in the strangest images of the same; then represent it, making fashion a fantastic or imaginary landscape, taking into account the concept of recreation of forms, and the concept of line and sensitive spot, drawing with color pencils.
. 08
Make a composition in the flat, geometric elements, based on rectangles harmonics, taking into account the concept of geometric abstraction with color pencils.
. 09
Make a composition in the plane, with points, lines and / or spots, taking into account the concept of lyrical abstraction with color pencils.
. 10
Look at your own face in a convex mirror, a spoon, or a glass bottle while watching him represent it as you see, considering the concept of anamorphosis, with color pencils.
. 11
Select the picture of two animals, two plants, or two different objects, or an animal and a plant, an animal and an object, an object and a plant, and subsequently made a representation third element that has the characteristics of both items are selected, taking into account the concept of metamorphosis, with color pencils.
. 12
Arma a composition in the plane, cutting with scissors different elements such as fruits, animals, goods, letters, or other natural, cultural or concrete or abstract, gluing and assembling them by juxtaposing them, to form a front face or profile, a tree, or a strange animal.
. 13
Arma a composition in the plane, cutting with scissors drawings printed or otherwise, of different sizes and shapes, gluing and assembling them by juxtaposing them, to form a front face or profile, a tree, or a strange animal.
. 14
Arma a composition plane, arbitrarily chopping hands, plain and printed in different sizes and shapes, gluing and assembling them by juxtaposing them, to form a front face or profile a tree, or a strange animal.
. 15
Make representations through the placing of different objects, such as yarns, fabrics, lace, coins or other, previously inked with tempera.
. 16
Build an acetate stencil, drilling to achieve some kind of composition figurative or abstract, then get a positive and a negative from it.
. 17
Make representations and presentations of different objects, such as yarns, fabrics, lace, or other, through printing, pre-inked with tempera, and through gluing them on the plane.
. 18
base ink acetate with tempera and foam roller, then places a leaf in the bank and draw on it by pressing with the pen on the acetate ink, you will have a positive monocopia a fashion designer.
. 19
paints a strange character on an acetate with gouache, while still fresh in tempera, ink placed on the base sheet of white paper, and puts strong pressure on it with your hands, then remove it to get your monocopia to so the painter.
. 20
acetate base ink with gouache and foam roller, then fractions of material removed with a cloth, a stick, or a clean bristle brush, being still fresh in tempera, ink placed on the base sheet of white paper, and puts pressure on it with your hands, then remove it to get your monocopia to the way the recorder.
. 21
combines three different compositions, each of the possibilities of monotype, glued or printed papers, or items such as yarn, fabric, lace or other, thus achieving represent and present visual images.
. 22
Arm a composition in the three-dimensional space, representing a strange animal, through the assembly of boxes of different sizes, threads, fabrics, lace, wire, cans.

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