Drawing a tree because the tree always moves me to feel one of them, with their large branches that are home to many creatures, with wide trunk to keep it straight and deep roots clinging to the earth to suck the nutrients from the soil, nutrients are my role models , my technique, I know and learn every day and that makes up my identity.
draw a fire that burns us, because I carry it in my chest that fire: the fire of creativity, the fire of desire, the fire of my gratitude to God for what is given me .
Drawing a ray, we sometimes split in two and penetrates through the roots to shake the underworld: the myths, the world of the low and dark where sometimes let me gobble I'm not watching it.
drawing because I feel the light and color in these drawings, and immerse myself in his chiaroscuro to become one with their sounds and looking vibrations emerge into the light.
Drawing because every day I remind young people need to do, and I have to show by example, but also to attract what this line, what I think and reason. Drawing is essential to life and the personal project of all.
Drawing-because being language-this charge my words / lines, my lines / textures, my emotions / contrast, my speech / composition and thus I sing the verse that I like singing , who loves me and wants as the communication link between the universe and our Earth identity, hence drawing a tree and live.
Some photographs of the opening of the exhibition at the National Theatre Café, 11 February 2008.
Polyptych themed masks, ink drawing , charcoal and graphite pencil.
The Nation February 12, 2008
The Nation February 13, 2008
Ancora Magazine, The Nation, Sunday 10 February 1008
newspaper La República, February 11, 2008
Luis Fernando Quirós
luquiva @ gmail . com blogs
lufequiva
old drawings of the nineties, China ink, were exhibited at the National Museum. The collective portrait of the family's recent mixed media, 2008.
